Presonus StudioLive 24.4.2

Available for:  New Purchase, Rental, Event Production

 

Presonus-StudioLive-24

 You’ll never go back to an old-skool analog mixer once you’ve used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you’ll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.

But StudioLive is not simply a mixer, it’s a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.

The StudioLive 24.4.2 is a fine choice for those who want to mix small to medium-sized shows and worship services, and it’s a great choice for club systems, corporate applications, and educational institutions. And it’s the perfect hardware core for a project studio.

Or daisy-chain two StudioLive 24.4.2s to form a 48x4x2 performance console for mid-sized shows and events.

Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 10 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.

Yet despite its many controls and features, it’s compact and easy to transport.

Build live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 24.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance.

That’s just the start. Control the StudioLive from your Mac, PC, or iPad®. Manage monitor mixes from an iPhone® or iPod touch®. Tune your system to the room and fix feedback problems with integrated Smaart Measurement Technology™.

StudioLive 24.4.2 revolutionizes music production, opening endless creative possibilities.

 

Microphone Preamp 1-24 (XLR Balanced)
Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output < 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output -97 dB
S/N Ratio to Main Output -94 dB
Common Mode Rejection Ratio +65 dB
Gain Control Range -16 dB to +67 dB (± 1 dB)
Maximum Input Level (unity gain) +16 dBu
Phantom Power +48 VDC

 

Line Inputs
Type ¼” TRS Female, balanced mono
Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output -105 dB
S/N Ratio to Main Output -94 dB
Gain Control Range (±1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu

 

Tape Inputs
Type ¼” TRS Female, balanced mono
Maximum Input Level +10 dBu

 

Auxiliary Inputs
Type ¼” TRS Female, balanced (2 stereo pairs)
Maximum Input Level +22 dBu

 

Main Outputs
Type Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair); XLR Male, balanced  (mono)
Rated Output Level +24 dBu
Output Impedance 100Ω

 

Aux Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω

 

Subgroup Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω

 

Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω

 

Control Room Outputs
Type ¼” TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω

 

System Crosstalk
Input to Output -90 dBu
Adjacent Channels -87 dBu

 

Noise Gate / Expander
Threshold Range -84 dB to 0 dB
Attack Time 0.5 ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1
Gate Attenuation Range
Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz

 

Limiter
Threshold -28 dBFS
Ratio ∞:1
Attack 20 ns
Hold 10 ms
Release 20 ms

 

Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee

 

EQ
Type 2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
Low Mid 90 Hz to 1.2 kHz, ±15 dB
High Mid 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB

Q 0.1 – 4

 

Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
FireWire S400, 400 Mb/s
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS -18 dBu

 

Clock
Jitter <20 ps rms (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

 

Power/Environmental
Connector IEC
Input-Voltage Range 100 to 240V, 50-60 Hz
Power Requirements (continuous) 100W
Temperature Range 0-40 degrees Celsius

 

Physical
Length 21.31 inches (541.27 mm)
Width (chassis only) 25.19 inches (639.80 mm)
Maximum Height 7.02 inches (178.21 mm)
Weight 30 lbs.

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